FO: Alonzo

I’ve been enjoying my A-Z of shawls so much, I’ve decided to start one for socks as well.  But just to make things a little more challenging, I’m going to try to stick to patterns by one designer: Rachel Coopey.  Her sock patterns are beautifully written, a joy to knit and always very clever designs.  Looking at Ravelry, I’m good right up to until I get to Q, with a choice of patterns to make.  At the rate I knit socks, who knows – maybe she will have designed a pattern beginning with Q by the time I get there.

First up, is Alonzo, a beautifully textured pattern with Bavarian twisted stitches.  It’s just complex enough to keep you interested while you’re knitting, but without being so complex tht you can’t concentrate on anything else.  This is exactly the kind of knitting you can take out and about, or do while watching the television.

I love how the faux cables and twisted stitches build up the pattern, and how it grows and evolves.

It’s just such a shame that the dark winter days make it so difficult to properly photograph the colour of this yarn as well as I’d like.  It’s a rich, mallard green, called Apollo, with a beautiful intensity of colour.  It’s from a dyer called A Little Bit Sheepish, and is one of those skeins where the colour just called me from across the aisle at a yarn festival.  It’s a mix of 75% Bluefaced Leicester and 25% nylon.  The stitch definition is amazing, it takes dye beautifully, it has a generous 425 metres per 100g and it should make some hard-wearing socks.

Advertisements

FO: Evenstar

I promised you something special for E.  So here is Evenstar.

This circular shawl was an epic knit.  It took around seven months from cast on to cast off, though I did pick up and deal with other projects in the meantime.  It measures around 5 feet in diameter, took 1500 metres of yarn and 3,000 beads.

I cast on while watching Frozen on Christmas Day 2016.  I remember it vividly because Elsa singing “Let It Go” was not the most helpful things while I was trying to manage Emily Ocker’s Circular Cast On.  You need an extra hand or two for that at the best of times.

The pattern is by Susan Pandorf, part of a series of patterns themed around the Lord of the Rings.  I’ve loved it ever since I first set eyes on it, but didn’t have the skill at the time to do it.  Now, several years on, I felt ready to tackle it.

One of the tricky elements of this shawl is the ‘Evenstar stitch’, which is designed to resemble Arwen’s pendant from the books and films.  It’s a tricky stitch involving making seven stitches out of three.  Susan recommends practicing this stitch separately, before starting the shawl proper.  Learning from my nupp experience (it’s a similar technique), I used a crochet hook for this bit.

Because of the beads and the size of the shawl, I wanted a yarn with some strength to it.  I used Posh Yarn‘s Natasha Heavy Lace in a colourway called Peace Spreads Her Tranquil Blanket.  It’s a 50/50 mix of silk and camel.  I used three skeins overall – two for the body, and one for the knitted on edging.

The beaded knitted on edging was the hardest bit of this project.  It’s a great way of finishing a project, particularly for avoiding a long cast off, but, oh, was it dull.  The twenty row pattern repeat is just a bit too long to properly memorise, and it seemed to go on forever.

But it was worth every repetitive hour for a piece as stunning as this one.

FO: Dancing Butterflies

I’ve been really remiss lately about posting knitting and craft content, but that means I have a pile of FOs to tell you about.

First up is D in my A-Z of shawls.  This is Dancing Butterflies.  The pattern is by Carfield Ma.

I’ve been trying to get a bit more adventurous with my colour choices when I knit.  In particular, I’ve been trying to experiment with more variegated yarns.  This is another amazing colourway from Lola of Third Vault Yarns.  It’s called Deep Space, and is a lovely rich mix of purple, turquoise and blue, on her heavy laceweight base Tesseract.  I’ve matched the yarn with some rainbow coated beads in the same colour mix – they look like the refraction of colours you get on spilled oil.

I was careful to pick a pattern for this yarn where the stitch count is constantly changing, to try to avoid pooling.  I was really paranoid about some patches of pooling that were appearing as I was making it, but they don’t show up nearly as much in the finished shawl as I thought they would.

I think the semi-circular shape helps avoid too much pooling.  And semi-circular shawls are just so wearable, aren’t they?!  This one is another that’s loosely inspired by the German lace designs of Niebling, giving those lovely complex designs.  The heavy laceweight means it’s quite a bit more open and less delicate than some other shawls I’ve made, but the bold design and colour choice mean it goes with so much.

Onto E.  If all goes well, she should be a real stunner of a shawl …

FO: Ceciliana

Two FOs in one week?!  I am spoiling you.  This is Ceciliana, next in the A-Z of shawls.  

img_2666
The sharp-eyed among you will have spotted that there is no lace here.  With Ceciliana I’ve tried another technique that is new to me: mosaic knitting.  This is a style of colourwork knitting, but unlike fair isle there are no floats running at the back of the work,, making it much more flexible, stretchy and less stiff.  And unlike intarsia there are no pesky bobbins to contend with.  Instead, the pattern is made using slipped stitches, with each of hte two colours of yarn used on alternate rows of garter stitch.  

It works up really quickly and is very satisfying to knit.  Just like any other colourwork pattern, there is a chart to follow.  The trick is just getting your stitch counts right.  As always, stitch markers are your friend.  It’s definitely a technique I will try again when I want a hit of colourwork without the faff.

img_2664-1
I really like the textured effect the garter stitch and mosaic knitting style gives this shawl.  The two shades of grey (a lovely silver and a darker slate colour) give it a very modern look and feel.  The grey was hard work for me to knit (my mood is strongly affected by colour, and subdued colours = subdued me) but the overall look is modern and sophisticated, and I can see it going with lots of things.  This is a practical shawl that I can see myself wearing a lot this autumn.  

img_2663-1
The pattern is by Lisa Hannes, who has a number of patterns for shawls of this style using mosaic knitting on Ravelry.  This one is a shallow crescent, and incorporates short row shaping to create wedges of the colourwork pattern, as well as the bands of the diamond motif.  

The yarn is Travelknitter’s Silky Merino, a 50/50 silk and merino blend in a ply weight  This is the yarn I bought at Festiwool in Hitchin last year.  It’s a great yarn to work with and I’d really recommend it – perfect for projects like this and the colour range is superb.  

FO: Brina

It’s been a while since I’ve posted an FO. So here is Brina, the second in my A-Z of shawls.  
img_2534

Brina is a crescent shawl with short-row shaping, from the queen of that technique, Susanna IC. The pattern is from Twist Collective, one of my favourite pattern sites.  
Brina was the chance for me to vanquish one of my knitting demons: nupps. For the uninitiated, nupps are a particular type of bobble, common in Estonian lace knitting. They create quite a flat bobble, unlike the more pronounced bobles typical of Wastern knitting styles. They are conventionally worked by increasing stitches in one row, and then purling them together on the next WS row. Being able to do that depends on leaving your stitches loose enough that you can manipulate them on the reverse row, with the added trickiness of putting a needle through and then purling together anything up to 7 stitches. I frogged an entire lace shawl once out of frustration at not being able to master the nupps in it. So I was determined to learn how to do them.  
img_2531

I’m afraid I cheated a bit on this shawl. I used the crochet hook method. It involves finishing the nupp on the RS row, and using a hok to pull the yarn through all the loops. It may be cheating, but it worked. It’s definitely a technique I will use again. 
The yarn I’ve used here is Nimu Lingmell. It’s a lovely spatter-dyed wool/silk blend in a 4ply weight and this skein was in a 150g size that was the perfect yardage for this pattern. The colourway is called Bright Flashes of Panic, and it was part of a limited edition yarn club run by the dyer a couple of years ago. Nimu sadly don’t produce much yarn at the moment (the dyer has gone back to full-time education, which is taking up her time) but if you watch the Nimu Facebook page you will occasionally see a destash or a summer yarn club like the one where I got this yarn.  
The shawl blocked out to be a lot shallower and wider than I was expecting, but that makes it the perfect length to wind round one’s neck loosely while still displaying long tails. It’s a great extra layer for those coool early Autumn days.  

FO: Alberta Shawl

One of my aims for this year, is to make a bit more of a dent in my stash of laceweight and sock yarn.  So, inspired by a friend of mine, I’ve decided to copy her idea and start an A to Z of shawls.  It’s a pretty simple idea: pick a pattern from my ever-growing queue on Ravelry that starts with the appropriate letter, match yarn to it and get knitting.

First up, is Alberta.  
The pattern is by Anne-Lise Maigaard.  It is based, in part, on the famous  designs by Herbert Niebling.  Niebling is known as the father of modern lace knitting.  He collected and documented traditional lace knitting patterns, and they are still used as the inspiration for modern patterns.

Despite the complexity of the design, this was a surprisingly easy and fast shawl to knit.  There is a lot of interest in the design, which made me really want to keep picking up my needles to make progress.

The yarn is Sparkleduck‘s Harmony, in a colourway called Rosemary Remembers.  It’s a 50/50 merino silk blend, which I bought at Festiwool.  It’s quite a subtle colourway, but I love the bright flashes of violet and lime green that pop through it.  To me, they are suffragette colours, which is one of the things that drew me to this skein of yarn in the first place.

It turned out I also had the perfect beads in my stash too.  These are a 6/0 bead in a pretty pink with an AB coating.  That iridescent AB coating perfectly matches the variegation in the yarn.  The weight of the beads also adds a lovely drape to the shawl.  I used around 62g of beads in all (of the 66g that I had), and was panicking that I was going to run out of them – these were not the most uniform of beads, and I had a lot of mishapes and discards to get rid of.

But I’m really pleased with how it’s turned out.  Onto the letter B …