After a tiny shawl in laceweight with nupps I wanted something a bit more substantial. Meet Kassiani.
This is a lovely semi-circular shawl with a half-pi construction. That makes it a joy to knit, with each section providing an easy level of reward and a pleasing sense of progress before moving on to the next.
The factor that was new for me with this one was the yarn- it’s Triskelion Mona 4 ply, which is a blend of alpaca, silk and linen. Linen is a notoriously marmite fibre to work with. Some people love it for its drape and rustic heritage, but others report it can be a pain to work with, feeling papery and rough in the hands, even if after blocking it apparently turns soft and silky.
This blend with alpaca and silk was a great way of dipping my toe into the water of working with linen. The linen adds structure and heft to the alpaca, and compliments the drape and colour saturation of the silk. The result is a shawl that drapes well and that I’m confident will hold its shape and blocking for some time to come. The blend of fibres gives it a rustic, slightly tweedy effect that adds to the knitted result. This is definitely not a yarn to be using where you want a delicate result.
This was a two-skein pattern, so it makes a substantial shawl. The semi-circle is a practical shape that means it can double up as a scarf as well as a shawl.
Next up in the A-Z of socks is Firenze.
This is another brain-bending twisted stitch pattern from Rachel Coopey. It looks deceptively simple, but keeping track of the pattern was a real challenge. In particular, if you look at the top of the foot – which was fully charted – you will see a delightful interlocking diamond pattern in the centre of the foot. On the leg the twisted stitch cables are in more traditional columns.
The yarn is For The Love Of Yarn sockweight in a lovely merino and nylon blend. The colourway is Merlot. Because who doesn’t love yarn named after wine?! It’s a lovely mix of reds and clarets, with the odd splash of purple thrown in. It has pooled delightfully in places across the feet. This is a wonderful dyer that I found at a yarn show and will be looking out for again.
J has probably been the hardest project in this A to Z of shawls. For some reason I really didn’t connect with the pattern I chose. On the face of it, the June Bride Shawlette was exactly the palate-cleanser I needed after Ishneich – a simple, single colour, lace shawlette from a single ball of laceweight yarn, and with a bit of challenge from nupps in laceweight.
But, oh, I struggled.
I just couldn’t get excited by this project, and I actively avoided picking it up. Which is ridiculous for such a tiny project.
And tiny it is. A little wisp of a scarflette, that I definitely wouldn’t call a shawlette. Just enough to wrap round your neck, and that’s about it. Compare it to some of my other FOs shown on the same chair, in the same position, and you can see how tiny it is.
But on the other hand – nupps! In laceweight! Yes, I cheated and used a crochet hook to form them on the RS row. But that’s another new skill mastered, and I found them much easier in laceweight than I did in 4ply. So that’s a thing!
The pattern is by Lidia Tsymba. The yarn was a single skein of Debbie Bliss Rialto Lace (a solid, commercially dyed pure merino laceweight) that I picked up for about £3 in a John Lewis sale.
I was glad to finish this one. If only because it meant I could move on and start something else. Ah well.
I’ve been frustrated that this winter hasn’t been as cold as I would like. A good, sharp frost and a spell of freezing weather is the best excuse for knitwear I know. And handknitted socks are the most comforting thing in a cold snap – your feet get a custom made woolly hug. And if I have warm feet I am much less likely to feel the cold.
Next up in my A-Z of socks by Rachel Coopey is Eula. In classic Coop Knits style, these feature a mirrored twisted stitch design of branching cables and diamonds. After the plain lace of Decca it was great to get back to something with a bit more challenge to it.
The yarn is Swell Ewe Sock by Ginger’s Hand Dyed, an 80/20 merino/nylon blend. The colour is called Breakfast With Ginger – a gorgeous Tiffany blue that is gloriously cheerful. It’s slightly greener than is showing up in these pictures. I found two skeins of it in someone’s destash on eBay at a silly price. (which means I have one going spare if anyone wants to take it off my hands.) It’s a high twist yarn, which I’ve decided I’m not much of a fan of. I think I much prefer a traditional plied yarn – it feels nicer to work with and gives good stitch definition, even if a high twist yarn is supposedly harder wearing.
There was an outbreak of babies in the office late last year. So true to form I pulled out my stash of Baby Cashmerino and got knitting some baby cardigans. Because there were three babies on the way it gave me the chance to make a few things and give the parents a choice from multiple things for their new arrivals.
By accident or design, all three projects have ended up with a wildlife theme to them.
Wowligan is a baby sized version of Kate Davies’s iconic O w l s sweater. Here I’ve made it in a cheerful toffee coloured yarn. I left off buttons for the owl eyes on this version, to avoid choking hazards.
I fell in love with The Wabbit as soon as I saw the pattern, so I was really glad to have the excuse to make it. Who wouldn’t love a parade of cute colourwork bunnies round the yoke of a cardigan? This was a great project for using up scraps and leftovers from earlier projects. (You may recognise some of the colours here from my previous baby projects – yes, that is the toffee from Wowligan for the bunnies.)
Finally, we have Save the Baby Whales. This has a very cute set of colourwork whales running round the lower body. They mirror, which makes it pleasingly symmetrical.
Much as I love knitting for babies, I’m hoping there won’t be another run of work pregnancies, as it’s been really great to be able to get back to knitting things for me.
Time for another FO.
This is Ishneich. Pattern by Lucy Hague, part of her Celtic Cable Shawls collection.
This is another project that continues to push my knitting boundaries. I’ve tried once again to be a bit bolder with use of colour. This is a two-colour shawl, but this time it mixes two colours – one semi-solid, one variegated – rather than a colour with a neutral.
This is also a project with a new technique for me – closed loop cables. This is a technique perfect for creating Celtic-inspired knotwork like in this pattern. It’s definitely the trickiest set of charts I’ve ever worked with. Long chart repeats combined with cabling on both sides and a garter stitch background required a lot of concentration and faith in the pattern. Particuarly as to deliver the elegant sweeps in the cabling there is little predictability in the charts.
But I’m really delighted with how it’s come out. It’s a grown up shawl, big on texture rather than fussiness of lace. And the 4 ply yarn means it will eb snuggly and relatively robust.
The yarn is Qing Fibre Merino Single in Okinami (the semi-solid teal) and Elderwood (the variegated). Definitely a dyer worth looking at if you like super-saturated and sophisticated dyeing.
I love fingerless mitts. They keep your hands warm, particularly in those in-between days of spring and autumn. You can still use your touchscreen phone, eat snacks, and root in your bag for keys/tissue/money etc but you still have toasty hands. And you can curl the tips of your fingers up inside to keep them warm on the chillier days.
I love them, but I never seem to have enough pairs. At minimum I want a pair in the pocket of every coat that co-ordinates. But I’m not there yet.
So when I was in France on holiday earlier this year, sitting in 30+ degree heat, what I decided I wanted to do was make some fingerless mitts for the cooler autumn to come. I finished the first of this pair while I was there, but in typical style didn’t get round to the second until quite a bit after getting home.
These are Carry On Fingerless Mitts, the pattern by a designer Cheryl Chow. It’s an incredibly clever design, with the stranded colourwork flowing brilliantly from one round into the next.
The yarn is Navia Duo, a wonderful sportweight blend of Faroese and Shetland wool. It’s gloriously sheepy, and its stickiness makes it perfect for colourwork. Although it feels rough in the hand it knits up into a beautifully soft fabric. I love the contrast of the beautifully bright and sunny yellow with the marled charcoal grey. Guaranteed to bright up a dull day.
The slightly heavier weight was also a good test bed for stranded colourwork in the round on small diameter projects. In the past I’ve made my floats far too tight and ended up with some odd results. In this case I made extra efforts to get them loose and it’s worked well.
And – seriously – if people see you knitting stranded colourwork in the round on DPNs, with a colour held in each hand, they will think you are working Actual Witchcraft.