In Miranda and Caliban (review copy from Tor, through NetGalley), Jacqueline Carey gives us a thoughtful exploration of the backstory to one of Shakespeare’s most famous plays, The Tempest. It’s a short book, but one packed with thoughtful insight and commentary on the source material.
Miranda and Caliban focuses on Miranda’s childhood, with the events of the play only covered briefly towards the end of the book. For all that it’s a close rendering of the play it gives a radically different and fresh perspective on the story. Carey’s retelling draws out the toxic impact of Prospero’s desire for revenge and the abusive relationship that has created with his daughter. Miranda is a tool for his revenge, a person he controls and exploits to enable that revenge and return to power. She is infantilised and denied information, but expected to perform services in pursuit of her father’s revenge agenda. This is a Prospero who cares little of her wishes or feelings, playing his daughter as a card to engage the interest of those shipwrecked on the island.
Carey’s Caliban is a misunderstood creature. Judged for his physical appearance and isolated upbringing he is seen by Prospero as ignorant and fit only for menial labour. It is under Miranda’s help and care that he grows and blossoms and learns. Caliban is as exploited by Prospero as Miranda, his potential and skills overlooked except where they can be used to advance Prospero’s agenda. But unlike Miranda, Caliban isn’t family. And his status as the child of a witch means he will never be able to transcend the strict class boundaries of that society.
Goodreads rating: 3*